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Spread the Gospel
At Comic-Con '07 this past summer, series creator, writer, and executive producer Eric Kripke related to fans the news that his show, Supernatural, came within a hair's breadth of being cancelled after the Season 2 final episode. While this may not have come as a complete surprise, his words had the effect of galvanizing a dedicated fanbase like a Winchester punch in the gut. "Go forth and spread the Gospel of Supernatural," Kripke exhorted.
"Tell your friends to tell their friends," added Jensen Ackles, who plays Dean Winchester alongside Jared Padalecki as his brother Sam. With a team of writers, directors, producers and technicians that reads like a who's who of the science fiction and horror movie genre, including writer and producer Ben Edlund, who worked with Joss Whedon on
Angel and the short-lived but critically-acclaimed series,
Firefly; Kim Manners and John Shiban, director and writer, respectively, from the
X-Files; talented writers Sera Gamble and Raelle Tucker; and Robert Singer, producer and director, who was the executive producer of
Lois & Clark: the New Adventures of Superman, as well as producing
Cujo,
Independence Day, and the TV series
Dracula, the team charges forth each week with a heart-stopping, stomach-churning, breathtaking ride with the Winchester boys through the back roads of American myth.
Joined by Jeffrey Dean Morgan, who guest-stars periodically as their father John Winchester; Jim Beaver, who plays veteran demon hunter Bobby Singer; Samantha Ferris as the dedicated and street-wise Ellen Harvelle, Sam and Dean not only take up the challenge of saving innocents from things that go bump in the night, but battle evil in the form of demons, poltergeists, vengeful spirits and horrifying mythical creatures that spring from modern urban legend and ancient religious lore from all over the world. None of this is paying work, you understand. The boys live under the radar as best they can, on credit card fraud and hustling pool. It's all part of the hero/anti-hero premise, much like that described in Joseph Campbell's
Hero's Journey. With humor and heady passion, the brothers' journey is a headlong rush into the unknown and unpredictable, where they struggle with almost as many internal demons as those "real" ones sent from the depths of hell. Goaded at first by revenge over their mother's and Sam's fiance's deaths at the hands of the Yellow-Eyed Demon, Sam and Dean followed their father through the American countryside, tracking signs of demonic activity and gathering clues from cryptic messages left on cell phones and in the pages of the journal he left behind. The demonic plague on their family threatens to consume them, as first Sam and then John Winchester fall victim to otherworldly possession.
But here's where Supernatural shows itself to be something more than a mere story: the ties that bind the Winchester family seem to be stronger than death itself. Be it the saving of souls through exorcism or the selling of their own to Satan's ilk, nothing, no sacrifice is too great for this family. And the angst! Oh, the angst. Enough honest-to-goodness real-life conflicted soul-torturing for the most die-hard Oprah fan, this show skillfully walks a fine line between "no chick-flick moments" and the unfathomable yet irresistible enigma of true martyrs. Sam and Dean are at times typical bickering siblings, who band together at the moment of truth to become larger-than-life warriors at the gates of hell, soldiers who will stop at nothing to protect the innocent and those whom they love.
Dean's is a tortured soul; the streetwise elder brother who describes his first kill at age sixteen in detached yet somehow awe-struck terms. He is hedonistic, a smart-alecky wisecracker, whose love for his brother knows no bounds. Unbelievably at times, his tears will flow in honest hope, love and occasionally regret. He is a man of extremes, a risk-taker who moves with calculated precision. Sam, who left law school, raised mostly by his elder brother as Dad was off hunting demons, researches cases on the 'net and stays away from the frivolous pleasures sought after by Dean, for fear of hurting or causing another death either by tragedy or association. Both are formidable fighters and their well-choreographed teamwork in planning and execution are just plain awesome to watch.
The brotherly banter abounds and the two are not above making practical jokes on each other, but nowhere on television will you find a more devoted, intractable and firmly cemented relationship between two characters. The chemistry between Ackles and Padalecki as Dean and Sam is palpable. These two talented actors have created a phenomenon that has inspired one of the more explosive and dedicated fandoms in recent years, causing stats on the
Hey Neilsen website to rise 7000% in 24 hours when notices shot through the boards at the CW, LiveJournal, TwoP, and many others to go out and show support for "their show." In addition, the fandom has used websites, email campaigns, and even a charity fundraising initiative, all to broadcast "the Gospel of Supernatural" to the masses.
Their daily lives a whirlwind, few quiet moments exist for these two outside of motel rooms and their beloved '67 black Chevy Impala, a legacy left to Dean by their father that is often described as the "third character" on the show. The car's expansive trunk holds an arsenal of ghost and evil-fighting equipment. Listening to Dean's classic rock cassette tape collection, the brothers travel steadfastly from town to town in search of their next "gig." They pick up clues from newspapers and local tips, then follow them resolutely and skillfully to the ultimate confrontation: be it a Reaper summoned and controlled by a warped member of a religious flock, a genie hulking in an abandoned warehouse greedily sucking the life from its victims, or trying to help a disturbed young man with paranormal capabilities, counteracting the latest threats from an overzealous FBI agent called Henrickson, or even a rabid demon-hunter who is convinced that Sam is the anti-Christ, the brothers thread the needle to find solutions that will hurt the fewest innocents while confronting the demons in their own psyches. This season brings even more challenges in the form of a demon named Ruby who claims to be able to help save Dean from his crossroads deal, and Bela, a mercenary who is in the market for stolen goods -- including some of the artifacts and talismans the Winchesters must use in order to win in the fight to save mankind in the coming Apocalypse.
It's a thrilling, often shocking bloodbath when these two let go in a battle to conquer evil. It's just as heart-stoppingly inspiring when Dean cuts down a victim who has been left to die, saves a drowning child, or Sam places a calming hand on Dean's chest after an especially stultifying close call. When these two get onto a metaphysical level and confront issues of their own self-worth and destiny, it's nothing less than a lesson in the purely redeeming alchemy of human empathy. Each vowed to stop at nothing in order to save the presumably doomed other: Dean having sold his soul and left with one year to live, Sam being possibly the heir to a kingdom of which he wants no part. Each has his own lessons to learn, his own wisdom to share, and demon asses to kick. In this time of waning consumption of fossil fuels and the yawning threat of the end of the American dream, in the face of fear, despair, and the sure knowledge of impending doom, there is in the American psyche an unwillingness to give in to all of this. So perhaps the best thing about
Supernatural is the emphasis it places on the preservation of hope, love, and ideals. There are still wide open highways to roam together in a kick-ass muscle car. Saving lives. Hunting things. The family business.
And I, an avowed environmentalist and social activist who not too long ago totally eschewed television, plan to be right there with them every step of the way. Somewhere bound up in all of the work that the show's creators do, there is the timeless theme of humanity's search for what is good, right, and honorable in all of us, perhaps especially the not-so-perfect. And that is an important and worthy thing for television to be doing nowadays. So yes, I'm spreading the Gospel of
Supernatural, one of the finest pieces of collaborative art to brighten the universe in a long, long time.
Susannah Eanes writes, dances, bakes bread, tends a flock of heirloom chickens, is mother to five living with her archaeologist husband on an eighteenth century plantation in rural Carolina, and is a total Dean Girl.
