“I spent my life folded between the pages of books. In the absence of human relationships I formed bonds with paper characters. I lived love and loss through stories threaded in history; I experienced adolescence by association. My world is one interwoven web of words, stringing limb to limb, bone to sinew, thoughts and images all together. I am a being comprised of letters, a character created by sentences, a figment of imagination formed through fiction.” ― Tahereh Mafi, Shatter Me
My god, what a history, sorely needed at a time like this.
In carefully, explicitly documented detail, the author lays out the horrifying, inexorable journey the American government took to Imperialist conquest of people who were seen by a white-centric public as lesser, undeserving of equitable freedoms or self-determination and stripping human dignity and life itself from tens of thousands of people. All in the name of “saving “ them from Spanish colonialism, the US blasted its way across Cuba, Puerto Rico, and the Philippines in a blood-spattered cloud of corruption and hubris. This history is still not well taught in American schools, but it is a history well known to those whose countries were permanently altered by it.
Like Suzy Hanson’s Pulitzer-finalist “Notes on a Foreign Country,” Jackson’s “Splendid Liberators” reveals with exquisite clarity why the United States is rightfully hated by much of the world. We need to know and understand this history. Without these stories, we Americans will continue to wither in ignorance on the vine of history, and deservedly so. The sickening truth is part of us, and illustrates our deep, carnal debt to those we have conquered in the name of democracy, but in truth were merely living flesh to feed our capitalist hunger, justified by an ethnocentric eugenicist ideology that stripped the humanity from those whose lands we lusted after, whose natural resources and strategic locations we coveted. Nothing more.
Thanks to NetGalley and the publisher Farrar, Straus, and Giroux, for a free copy of the pre-release text in exchange for an honest review. I will be purchasing copies of this book for several friends and family members, because it is that important.
About 3/4 of the way thru this, I realized that while the author may not realize it, her story is anarchy at work, and shows why this is the only way anything meaningful has ever been accomplished. With practical hard work and attention to doing what she could, every single day, the author built a beautiful new life for herself amidst responding to the needs she saw all around her. In it she encountered a whole new world that she never knew existed, and made a real difference in her community.
A beautiful story and absolutely not what I expected. Much love and May the cats be with you 🥰
Many thanks to NetGalley and Crown Publishing for the advance copy in exchange for an honest review.
I enjoyed reading about the author’s fascinating studies of rare methods, practices, and customs all around the world. The author spends several days or longer with each location or group, fully immersed in the culture. He eats, sleeps, and when invited, attempts to practice some cultural customs of these local practitioners of special craftsmanship. Authenticity and respect for the people involved in preserving these lifeways seemed to be the main goals of the author, aside from clear and simple descriptions of the methods, equipment, and results he observed.
Thanks to NetGalley and St Martin’s Press for the advance review copy in exchange for an honest review.
I am so glad to see Mr Grisham turn his writerly talents to this desperately important issue. Coupled with the lived experience of Mr McCloskey, these stories, alternately told by each author, spring from the page directly into the heart of the reader. The criminal justice system has always been a travesty, and it isn’t getting better. The efforts of the folk who work for Mr McCloskey’s organization, Centurion, the Innocence Project, the Innocence Network, and others perform a highly-needed service in the cause of justice in America. The stories in this book represent a tiny fraction of the number of wrongly-convicted souls victimized by the sometimes egregious and outrageous errors made by those who would seek to rack up numbers of convictions, and seem to care much less for addressing and stopping actual wrongdoing.
It has been said that many times prosecutors and law enforcement officers focus less on finding the right answers, in favor of focusing on those cases they believe, rightly or wrongly, are able to secure a conviction. After all, if they actually addressed all criminal behavior and succeeded in wiping out crime, they would work themselves out of a job. Many times those enlisted by an unthinking public with the duty to right wrongs weirdly and inexplicably overlook obvious perpetrators, ignore leads, and even accuse those telling the truth of lying about the facts of a crime. In some cases citizens who come forward to offer assistance as eyewitnesses end up jailed and convicted of the very crimes they witnessed, because of the too-ready willingness by law enforcement to believe their own invented stories about a crime, that very often belie ready evidence and cold hard facts about a case, but instead conform to their own racist, sexist, and classist prejudices that blind them to truth.
The cases described in ‘Framed’ are important examples of the flaws in the criminal justice system. We should pursue reforms that tru,y reflect our purported reliance on innocent until proven guilty’. This would, of course, completely upend and overhaul the training and norms that are followed by law enforcement now. But until these reforms occur, we will continue to be threatened by the ravages of an unjust and dangerous mentality that places convictions above justice. And we cannot say we are ‘the land of the free’ so long as we look away and allow the unjust criminal justice process to continue.
One of the most important books out there for readers who actually want to understand how and why the US was founded on the principles of separation between church and state. America was never meant to be a “Christian” nation - a fact that has been obscured with outright lies with increasing fervor over the past forty years.
Magnificently researched and well-written, I consider this required reading for any person who purports to be a student of US history, or who simply wants to know the truth. It’s interesting and engaging, with relevant personal stories of the writers and arbiters of our nation's foundational documents and those who inspired them, which make it easier to understand their motivations and the times in which they lived. Stewart shows clearly how Epicurus, Spinoza, Bruno, and other much earlier philosophers led the way into the radical new beliefs that guided these men, with all their faults and foibles, to work together to found a nation built on principles that even they could not live up to - but they hoped that in the future the path they lay, by reason and not superstition, would be walked by those who could.
A couple of pages, to illustrate how important and relevant it is, especially now. Especially today.
Interesting emotional romp thru the centuries. The ending was a bit of a let down, but otherwise the story is very good.
The reason I say the ending was a bit disappointing is because it feels as if the author expended all of her energy writing the book until the last 50 pages or so, and then rushed through to get it finished. Where for most of the book we get exquisite detail about situations that range from fox hunting to traveling through time, with well-developed characters a reader can truly want to get to know, and deliciously detailed descriptions of places and events, toward the end after a major, life-changing turn of events is starting to be reconciled, the story becomes little more than a quick by-rote narration of events, including some that are chaotic and emotionally damaging. Gone is the depth of feeling coupled with careful thought and analysis, in favor of a hair-raising churning through a family and friendship-wrecking series of experiences, galloping to an ultimately unsatisfying ending - all at once too brief and almost painful. It would have been better if the author perhaps took a break, thoroughly re-read the book to the point of the return from the multi-century foxhunt, and then carefully continued toward bringing the book to a satisfying close. If the point is, as it seems to be, for the main character to apply lessons learned from history, the same care and attention should have been paid to this portion of the book as was clearly taken in the first two-thirds.
The main character, a middle-aged woman named Pryor (which is a historical name in her family), but for some unknown reason goes by the nickname "Cig," is believable and interesting. She's widowed, self-contained, strong, and raising two teenagers with more than a little aplomb. But she's not perfect - far from it - but her flaws are not unmanageable, nor do they detract from her likability. The ensemble cast of characters is varied and authentic, and the plot for the most part flows smoothly and is easy to follow. Even when the story becomes a bit implausible, it is still very well written and therefore believable, which is the point, I believe.
The conflict that becomes the heart of the story between two sisters is very real, and Cig has long believed there is a truth that her sister Grace is hiding about what happened. In the end, the truth surprises everyone, and I'm not sure it's fully realized or acknowledged. There's a lot of crying and screaming and fit-throwing, which may or may not be cathartic. There are promises made, but whether they are fulfilled is anyone's guess. Some of that truth remains elusive, I think. There could have been more to this story, in that way, as well as others.
The historical characters were endearing and not stereotypical. The scenes during this time were very well done - you can feel the snow on your cheeks, the cold, the sunny breeze on a warm day. There are no laments about the clothing, thank goodness (a personal pet peeve). Cig sees a lot in this time to appreciate and is respectful of the differences, so she learns and adapts very well. I really love this part of the book. You can really see her starting to grow, especially as she feels herself being drawn to the people she meets, some perhaps a bit more than others. She is really good at giving people their due, and is able to develop true friendships, bonding with not only her family members but with several others.
Unfortunately the author attempts to bind the historical story with the modern one in an ultimately dissatisfying way.
Having Fritz - or his historical double - show up at the very, very end of the last two pages was about as piquant and frustrating as a mouthful of cold coffee. That touch, imho, was pure effrontery on the part of the author. A better writer would have either omitted that bit completely - I mean, we do find out what had happened to that character so there was no mystery there - or brought the character in gradually, just like the historical friendship that had blossomed originally, and quite naturally, into something more. But teasing the reader with a sudden appearance right at the very end? Gross.
Violence is depicted realistically in the book, especially in historical context, where the author shines with not only making it believable, but applicable to the plot and characters. Sadly, the depictions of violence seem either dated, gratuitous, or just wrong in the modern-day (1999) portion.
The title of the book, "Riding Shotgun," is quite dated, trite, and really doesn't apply to anything that happens in the book other than one or two references to "riding shotgun through history" - and what does that even mean? Especially in the context of this book. The main character travels back in time on horseback, where there is no "riding shotgun." It's an inept analogy at best. Books have been re-titled and this one needs to be.
I honestly wonder if the author might revisit the story and write the ending differently, too. If so, the entire book would make a fabulous movie. As a writer, I'm tempted to pen a bit of transformative fiction myself here. As it is, the last quarter of the book brought it down from an otherwise five stars to four. Still a very good read, as I said, but the story that could have been written - like the truth that Cig seeks - is still out there.
Content Warnings:
Moderate: Domestic abuse, Emotional abuse, and Physical abuse
Minor: Emotional abuse
There is minor emotional abuse that I attribute mainly to plot devices that are extremely dated now. However, toward the end, there is a violent physical altercation between two members of the Hunt Club, a married couple that is extremely disruptive, dangerous, and ends up involving others.
>The aggressor is punched in the face by a teenager, which halts the fight, and the teenager is then lauded for his "quick thinking."
No one remarks on the fact that this altercation is essentially an attempted murder right in front of everyone. No assistance or health care is even offered to the injured person, who bears heavy marks and is clearly injured; they all just get on their horses and begin the event after the fight is stopped. As I said, this part is very dated and unsatisfactory all around.
A sweet coming-of-age story about a young girl who experiences some of the things we all do growing up, and some very unusual things indeed. Greta and her best friend Lotti share a deep bond of friendship, and are joined by their creative friend Astrid in navigating some of the trials and tribulations of middle school - social events, homework, and boys. They feel the thrills of being noticed by someone they like, and then the disappointment and stress when things may not go the way they hoped. One of them is even sexually assaulted by the person she thought was a nice admirer, which coincides with changes that start inside her body but are soon noticeable to everyone.
The theme of the story is growth and change, sometimes painful, and in a small way, loss of innocence and becoming more aware of the dangers that can beset young girls. Greta feels herself growing stronger and more able to deal with teasing and ostracizing, and even defends - loudly - her friend Lotti when she is called names by some cruel peers. While in some ways Greta is finding change hard to deal with, especially the prospect and preparations for the upcoming family move to a larger house, the ways that she adapts and even embraces the visible and invisible changes happening to her body and personality are admirable and engaging.
The language of the book is simple and relatable, and I think middle grade readers will really enjoy the story. Thanks to NetGalley and publisher MacMillan for the advance copy in exchange for an honest review.
I was fortunate to receive an advance copy of THE SALT BAIRNS and have to say, it was one of the most meaningful and insightful fiction reads I've been privileged to find in a very long time. Cynthia Tidrick has constructed a magical world, full of shadows and vice, and yet the colors and characters within the narrative surround each other and the protagonist with genuine feeling and knowledge. The reader cannot help but become swallowed up in their world, traveling onward in a rich and memorable adventure as the story unfolds. The author's unusual turns of phrase are yet clear and so beautiful, with atmospheric descriptions that enable the reader to grasp deeper meaning and understanding of the many layers in this tale. Skillful and sometimes shocking illustrations add to the fantastical quasi-realism of the work. Five glorious stars.
*Thank you to the Author for the advance read copy.
Parts of this book seemed like a mirror to my own past, even though I am at least ten years younger than the author. However, I did grow up in Virginia and the attitudes and experiences she describes are so familiar that I could hear them in my head as I read the words. Her writing could have been just as applicable to my older cousins, who also participated in some of the civil rights volunteer work as Dr. Faust. I looked up to them as if they held all the wisdom of how to navigate the rapidly changing world. But, alas, of course they did not. To her credit, the author was very often in the right place at the right time to be a part of some history-making events, such as the 1965 march from Selma to Montgomery, and Dr. King's commencement address to the Bryn Mawr Class of 1966. She convincingly portrays her own engagement with civil rights and anti-war efforts in language that is authentic and compassionate. I do try to hear the voices of baby boomers who may be the exceptions rather than the rule because as a whole, this generation largely abandoned those early dreams for capitalist-inspired ones. And though the author clearly has her faults, I am grateful to be able to read her story in the context of the times it describes as events unfolded. The writing is crisp and self-aware, even self-critical at times. Through it all this is a story of a young woman coming of age in an era of unquestionable privilege, who slowly realizes that it is her call to do what she can to do better. She fearlessly travels with a student group behind the Iron Curtain to wage peace and converse with real individuals living in completely foreign situations. She takes what she learns and applies it, even realizing that college may not be her best option for ultimately fighting for social justice and peace, but she does it anyway because it is expected, and she does sprinkle those at-the-time radical ideas throughout her college papers and essays. I like this young near-radical Drew Gilpin. Seen through the lens of years, Dr. Faust does a remarkable job of making her real and relatable. I'd just like to know what comes next, how she navigated the years after graduation, as she assumed her career as a historian and author. Perhaps she'll humor us with that story soon.
Thanks to NetGalley and Farrar, Straus and Giroux for offering the free review copy in exchange for an honest review.
This was definitely a needed read, for me at least, at this time. So much to worry about. So much to consider and sometimes it seems so overwhelming.
But Goodall's calm, reasoned, considered responses to the interview questions that became this book and the format it is written in bring the reader into her world. You can see the beautiful trees outside, feel the quiet hush of water flowing in a nearby brook. You can feel what worries Jane, too, and observe as she works through it with patient persistence.
Jane describes her five reasons for believing that we will survive as a species and the planet will recover and thrive, in spite of everything that is going on with climate change and desperate conditions everywhere. They are logical and make a lot of sense, and will give you a lot of food for thought.
Highly recommended for everyone who cares about the planet. It will give you renewed hope, which is what we all need right now. And it will show that like little drops of water that eventually wear down whole mountains, it's our collective actions that will save this planet.
A writer's book, Evening in Byzantium is an excellent story. In spite of what others have said, this work provides an elucidating window into the turbulent yet laconic past, to a time when, even as now, people thumb their noses at good advice, and act out against their own interests. Highest recommendations.
LATE, LATE IN THE EVENING, by the British philosopher Stephen Grant, is a beautiful book, a fast-moving but thoughtful and thought-provoking read. Imprisoned for his writings, the poet Gabriel Dorfman is allowed out on a sort of work-release program, and becomes the chauffeur to an influential party boss on his wealthy estate. The Britain of this story has become a fascist totalitarian state, with all of the hard-line and predictable but nuanced issues you'd expect, presented in lyrical but simple prose. Robot armies and microchipped prisoners. Thugs who "keep the peace". Desperate members of the resistance. And the secret lives of those in power. Gabe is swept up in a whirlwind of competing interests, but finds himself torn between loyalty to the past and his principles, and a new love that satisfies not only his body, but his mind. Through it all, the goal is to just to stay alive - or is it?
I don't want to give anything away, but the skill with which the author handles the knife's edge upon which his characters walk is quite breathtaking. A deeply satisfying read that has continued in my mind since I read it. Highly recommended.
A gloriously lovely book, full of recipes and ideas, illustrated with lush photographs of provincial gardens and simply prepared foods. Will keep it handy in the kitchen for inspiration when not feeling excited about the cooking ;)
Andrea Levy uses words the way a surgeon uses a scalpel - with fine precision designed to cut away everything that isn't story. The spareness of this technique takes a bit of adjustment, especially for someone like me who appreciates paragraphs filled with adjectives that fill in all the gaps and leave no room for guesswork or imagination. But don't get me wrong. The characters are set carefully on the stage and allowed to tell the story in their own words, leaving out details that escaped them, that may or may not be later filled in from the point of view of another character.
The tale here is one of history, and the intertwined lives of two couples - one black, one white - set during the hellish time of German attacks on British daily life during the second World War. Although the language is sparse, the details come through in the reactions and observations of Gilbert, Hortense, Queenie, and finally, Bernard. Alternately concerning and enlightening, you will find it difficult to leave the story at its logical end, even after five hundred pages. These people will live on, hauntingly changing what you thought you knew about race and social justice in mid-twentieth century Britain. And that, my friends, is the mark of an excellent work of fiction.
Sometimes this author really nails it with a story, and sometimes she falls a bit short. Elements and characters I loved were Blue & Radna, Hunter & Laura, Justine, and the setting in a small town undergoing great change due to oil fields nearby. Her villains are beyond creepy, and the one in this book takes the Christmas pudding. But Thad & Jill, who were the focus of the story, just didn't really have the synergy and chemistry of the main characters in some of her books. I like them well enough, but their difficulties seemed to be contrived. Maybe I've just read too many in this series.
This story is fiction but contains a couple of characters based on real-life lawmen who lived in Oklahoma. Would really like to have seen a bit more of Laura's backstory as well as Radna's. Garlock's secondary characters in this book really carry the story, and are the main reason I gave the book three stars instead of just two.
Engaging, provocative text that calls to mind the language of Gail Godwin: the same solitary incisive viewpoint. It can be taken in small or large bites, as the chapters flow together seamlessly but stand on their own quite well. I will look for more by this author.
The characters were pretty lovable, and though this story touches on some deep, thought-provoking themes, it never gets heavy or depressing, which is hard to do and maintain credibility in the story. Recommended.
Excellent, intriguing, and very entertaining read, with fully-developed, human-scaled characters who are fitted into the setting with careful attention to detail. Will definitely look for more by this author.
I honestly want to know how drivel like this makes it past an editor.
At the beginning you meet Grant, who is likeable enough, and the premise of a bachelor raising orphans in early 20th century Texas is just odd enough to work. However, that is the best I can say about this book. Even if you can manage to ignore the anachronistic language (I honestly can't), there is nothing else about this story that is plausible or even interesting. Hannah is an idiot and completely ridiculous, and it's really, really hard to ignore her lack of judgment or powers of observation (there aren't any). Even the way Grant and the children interact is completely out of the realm of reality given the time period. There are too many language foibles and awkwardly out-of-place sentences. I made it about 50 pages in and had enough.
Sift and mix dry ingredients then blend with lard. Add buttermilk. For each biscuit, pinch off a portion of dough about the shape of a large egg and pat out with your hands. Bake in a 350 degree oven in wood stove about 10 minutes. In a modern electric or gas stove, bake at 475 to 500 degrees.
I've made a few adjustments over the years, starting with the substitution of shortening for lard. I do not adjust the amount and have good results. I choose a quality unbleached all-purpose flour such as King Arthur or Hodgsons Mill Organic. Also, when I do not have buttermilk, I substitute 1 c. whole milk plus 1 tbsp. plain yogurt. The texture of the biscuits is fluffy and light, and they brown nicely in a hot oven - however, I've found that generally the temperature does not need to be more than 450.
Serve warm with jam, honey, or just good butter. This recipe is also suitable to use for dumplings.
